The unofficial beatles lyrics archive 1995   Beatles

AND I-I-I-I-I-I-I, 

{eot}
OH, I'LL BE THERE, YEAH,
WAITING FOR YOU, YOU, YOU, YOU, YOU, YOU,

YOU CAME JUST ONE DREAM AGO,
AND NOW I KNOW
THAT I WILL LOVE YOU.

I KNEW WHEN YOU FIRST SAID HELLO,
THAT'S HOW I KNOW
THAT I WILL LOVE YOU.

AND I, I, I, I,
WAITED FOR YOUR KISS,
WAITED FOR THE BLISS,
LIKE DREAMERS DO.

                                                                                     
{sot}
AND I-I-I-I-I-I-I,

{eot}
OH I'LL BE THERE, YEAH
WAITING FOR YOU, YOU, YOU, YOU, YOU, YOU

YOU CAME JUST ONE DREAM AGO,
AND NOW I KNOW
THAT I WILL LOVE YOU.

OH, I KNEW WHEN YOU FIRST SAID HELLO,
THAT'S HOW I KNOW
THAT I WILL LOVE YOU.

AND I, I, I, I,
WAITED FOR YOUR KISS,
WAITED FOR THE BLISS,
LIKE DREAMERS DO,
OH, LIKE DREAMERS DO,
LIKE DREAMERS DO.

ã Northern Songs Ltd.



HELLO LITTLE GIRL
By John Lennon and Paul McCartney


HELLO LITTLE GIRL,
HELLO LITTLE GIRL,
HELLO LITTLE GIRL.

WHEN I SEE YOU EVERYDAY, I SAY, MM-MM,
HELLO LITTLE GIRL.
WHEN YOU'RE PASSING ON YOUR WAY, I SAY, MM-MM,
HELLO LITTLE GIRL.

WHEN I SEE YOU PASSING BY, I CRY, MM-MM,
HELLO LITTLE GIRL.
WHEN I TRY TO CATCH YOUR EYE, I CRY, MM-MM,
HELLO LITTLE GIRL.

(Hello-)
I SEND YOU FLOWERS BUT YOU DON'T CARE,
YOU NEVER SEEM TO SEE ME STANDING THERE,
I OFTEN WONDER WHAT YOU'RE THINKING OF,
I HOPE IT'S ME AND LOVE, LOVE, LOVE.

SO I HOPE THERE'LL COME A DAY WHEN YOU'LL SAY, MM-MM,
YOU'RE MY LITTLE GIRL.

(Hello-)
IT'S NOT THE FIRST TIME THAT IT'S HAPPENED TO ME,
IT'S BEEN A LONG, LONELY TIME
AND IT'S SO FUNNY, SO FUNNY TO SEE
THAT I'M ABOUT TO LOSE MY MI-MI-IND.

SO I HOPE THERE'LL COME A DAY WHEN YOU SAY, MM-MM,
YOU'RE MY LITTLE GIRL, MM-MM-MM,
YOU'RE MY LITTLE GIRL, MM-MM-MM,
YOU'RE MY LITTLE GIRL, OH YEAH,
YOU'RE MY LITTLE GIRL.

                                                                                     
{sot}
DO-DO-DO-DO-DO

{eot}

ã Northern Songs Ltd.



"WELL, THE RECORDING TEST...BY MY ARTISTS"(speech)
Brian Epstein reading from his autobiography "A Cellarful Of Noise"
"WELL, THE RECORDING TEST CAME AND WENT. THE PEOPLE THAT DECIDE ABOUT THESE
THINGS AT DECCA SAID "NO". WELL, YOU CAN IMAGINE I WAS MORE WORRIED ABOUT WHAT I
WAS GOING TO SAY TO THE BOYS, HAVING BUILT UP THEIR HOPES. SO I ALLOWED MYSELF A
FINAL 24 HOURS TO EXHAUST THE REMAINING DISC COMPANIES AND I BOOKED INTO THE
GREEN PARK HOTEL. IN THE MORNING I TOOK A CAB TO THE EMI OFFICE BLOCK IN
MANCHESTER SQUARE, LONDON, TO MEET THE MAN WHO WOULD WITHIN LESS THAN 2 YEARS
PRODUCE 16 NUMBER ONE DISCS BY MY ARTISTS."



BESAME MUCHO
By Consuelo Velazquez, Selig Shaftel and Sunny Skylar


CHA CHA BOOM!

BESAME, BESAME MUCHO,
EACH TIME I CLING TO YOUR KISS
I HEAR MUSIC DIVINE.
SO BESAME, BESAME MUCHO,
AH, LOVE ME FOREVER,
SAY THAT YOU'LL ALWAYS BE MINE.

CHA CHA BOOM!

DEAREST ONE, IF YOU SHOULD LEAVE ME,
THEN EACH LITTLE DREAM WILL TAKE WINGS
AND MY LIFE WOULD BE THROUGH.
OH, BESAME, BESAME MUCHO,
OH, LOVE ME FOREVER,
MAKE ALL MY DREAMS COME TRUE.

UH, THIS JOY IS SOMETHING NEW,
MY ARMS ENFOLDING YOU,
NEVER KNEW THIS THRILL BEFORE.
WHO'D EVER THOUGHT I´D BE HOLDING YOU CLOSE TO ME,
WHISP'RING IT'S YOU I ADORE.

YES, SO DEAREST ONE, IF YOU SHOULD LEAVE ME,
THEN EACH LITTLE DREAM WILL TAKE WINGS
AND MY LIFE WOULD BE THROUGH.
OH, SO BESAME, BESAME MUCHO,
YEAH, LOVE ME FOREVER,
MAKE ALL MY DREAMS COME TRUE.

UH, THIS JOY IS SOMETHING NEW,
MY ARMS ENFOLDING YOU,
NEVER KNEW THIS THRILL BEFORE.
WHO'D EVER THOUGHT I´D BE HOLDING YOU CLOSE TO ME,
WHISP'RING IT'S YOU I ADORE.

OH, SO DEAREST ONE, IF YOU SHOULD LEAVE ME,
THEN EACH LITTLE DREAM WILL TAKE WINGS
AND MY LIFE WOULD BE THROUGH.
OH, SO BESAME, BESAME MUCHO,
NOW LOVE ME FOREVER,
MAKE ALL MY DREAMS COME TRUE.
UH, LOVE ME FOREVER,
MAKE ALL MY DREAMS COME TRUE.
UH, LOVE ME FOREVER,
MAKE ALL MY DREAMS COME TRUE.

ã Latin American Music



LOVE ME DO
By John Lennon and Paul McCartney


LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
LOVE ME DO.

LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
OH-OH, LOVE ME DO.

SOMEONE TO LOVE, SOMEBODY NEW.
SOMEONE TO LOVE, SOMEONE LIKE YOU.

LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
OH-OH, LOVE ME DO.

LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
OH-OH, LOVE ME DO,
YEAH, LOVE ME DO,
OH, LOVE ME DO.

ã MPL Communications Ltd.



HOW DO YOU DO IT
By Mitch Murray


HOW DO YOU DO WHAT YOU DO TO ME?
I WISH I KNEW.
IF I KNEW HOW YOU DO IT TO ME,
I'D DO IT TO YOU.

HOW DO YOU DO WHAT YOU DO TO ME?
I'M FEELING BLUE.
WISH I KNEW HOW YOU DO IT TO ME,
BUT I HAVEN'T A CLUE.

YOU GIVE ME A FEELING IN MY HEART, (oh la la la)
LIKE AN ARROW PASSING THROUGH IT.
SUPPOSE THAT YOU THINK YOU'RE VERY SMART,
BUT WON'T YOU TELL ME HOW DO YOU DO IT?

HOW DO YOU DO WHAT YOU DO TO ME?
I WISH I KNEW.
IF I KNEW HOW YOU DO IT TO ME,
I'D DO IT TO YOU.

YOU GIVE ME A FEELING IN MY HEART, (oh la la la)
LIKE AN ARROW PASSING THROUGH IT.
SUPPOSE THAT YOU THINK YOU'RE VERY SMART,
BUT WON'T YOU TELL ME HOW DO YOU DO IT?

HOW DO YOU DO WHAT YOU DO TO ME?
I WISH I KNEW.
WISH I KNEW HOW YOU DO IT TO ME,
BUT I HAVEN'T A CLUE.
WISH I KNEW HOW YOU DO IT TO ME,
I'D DO IT TO YOU.
WISH I KNEW HOW YOU DO IT TO ME,
I'D DO IT TO YOU.
ã Dick James Music Ltd.



PLEASE PLEASE ME
By John Lennon and Paul McCartney


LAST NIGHT I SAID THESE WORDS TO MY GIRL,
I KNOW YOU NEVER EVEN TRY, GIRL.
COME ON, (come on) COME ON, (come on)
COME ON, (come on) COME ON, (come on)
PLEASE, PLEASE ME, WOH YEAH,
LIKE I PLEASE YOU.

YOU DON'T NEED ME TO SHOW THE WAY, LOVE,
WHY DO I ALWAYS HAVE TO SAY, LOVE?
COME ON, (come on) COME ON, (come on)
COME ON, (come on) COME ON, (come on)
PLEASE, PLEASE ME, WOH YEAH,
LIKE I PLEASE YOU.

I DON'T WANNA SOUND COMPLAINING,
BUT YOU KNOW THERE'S ALWAYS RAIN IN MY HEART,
I DO ALL THE PLEASING WITH YOU,
IT'S SO HARD TO REASON WITH YOU, WOH YEAH,
WHY DO YOU MAKE ME BLUE?

LAST NIGHT I SAID THESE WORDS TO MY GIRL,
I KNOW YOU NEVER EVEN TRY, GIRL.
COME ON, (come on) COME ON, (come on)
COME ON, (come on) COME ON, (come on)
PLEASE, PLEASE ME, WOH YEAH,
LIKE I PLEASE YOU,
ME, OH YEAH, LIKE I PLEASE YOU,
ME, OH YEAH, LIKE I PLEASE YOU.

ã Dick James Music Ltd.



ONE AFTER 909 (sequence) (take 3)
By John Lennon and Paul McCartney


I SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

PICKED UP MY BAG, RUN TO THE STATION,
RAILMAN SAID, "YOU'VE GOT THE WRONG LOCATION, YEAH."
PICKED UP MY BAG, RUN RIGHT HOME.

John: "What are you doing?"
Paul: "Ah, it's murder! I can't do it, can't keep it up, I'm just going..."
George: "Use your plec!"
Paul: "I haven't got one!"
John: "Fucking hell!"
Paul: "Use the plec...I've been trying to get them all day."
John: "Well, your clothes have been brought hours ago."
Paul: "I know but the case was hardly moved."
John: "I said to you before, Paul, don't forget your plec.....with your clothes
in."
Paul: "I know but the cases are still up at the door.
Neil Aspinal: "I said do you want me to bring your case in and you just walked
away!"
Paul: "I didn't think, I thought you said I didn't really want..."
Control room: "Here we go!"
Paul: "George!"

YOU'VE GOT THE NUMBER WRONG.

WELL, SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.
I SAID, "MOVE OVER, HONEY, I'M TRAVELLING ON THAT LINE."
I SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

OH YEAH!

WELL, MY BABY SAYS SHE'S TRAV'LIN' ON THE ONE...

John: "Oh, fucking hell! I told you!"
Paul: "You see, it's you! It's you!"
John: " You said we'd miss out...a bit late."
Ringo: You're coming in during the solo.
Paul: "You're coming in wrong, halfway through the solo!"
John: Oh! What? Was it a 12 bar...
George Martin: "Yeah, yeah, 4 bars...once again
Paul: "Two, three, one, two, three, four!"

SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

OW! OH!

ã Northern Songs Ltd



ONE AFTER 909
By John Lennon and Paul McCartney


WELL, MY BABY SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.
SHE SAID, "MOVE OVER, HONEY, I'M TRAVELLING ON THAT LINE."
SHE SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

WELL, I BEGGED HER NOT TO GO,
AND I BEGGED HER ON MY BENDED KNEES,
SAID YOU'RE ONLY FOOLIN' 'ROUND,
ONLY FOOLIN' 'ROUND WITH ME.
SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

PICKED UP MY BAG, RUN TO THE STATION,
RAILMAN SAID, "YOU'VE GOT THE WRONG LOCATION." YEAH.
PICKED UP MY BAG, RUN RIGHT HOME.
THEN I FIND, YOU'VE GOT THE NUMBER WRONG.

WELL, SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.
SAID, "A-MOVE OVER, HONEY, I'M TRAVELLING ON THAT LINE."
SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SHE SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

OH YEAH!

WELL, MY BABY SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.
SAID, "A-MOVE OVER, HONEY, I'M TRAVELLING ON THAT LINE."
SHE SAID, "MOVE OVER!" ONCE,
"MOVE OVER!" TWICE,
"COME ON, BABY, DON'T BE COLD AS ICE!"
SAID SHE'S TRAV'LIN' ON THE ONE AFTER 90,
SAID SHE'S TRAV'LIN' ON THE ONE AFTER 90,
SAID SHE'S TRAV'LIN' ON THE ONE AFTER 909.

ã Northern Songs Ltd



LEND ME YOUR COMB
By Kay Twomey, Fred Wise and Ben Weisman
From: "Pop Go The Beatles" #5
Recorded: 2 July 1963 at the BBC Maida Vale Studios, London
Transmitted: 16 July 1963

LEND ME YOUR COMB,
IT'S TIME TO GO HOME.
I GOTTA CONFESS
MY HAIR IS A MESS

YOUR MAMMY WILL SCOLD,
YOUR PAPPY WILL SHOUT.
UNLESS WE COME IN
THE WAY WE WENT OUT.

KISSING YOU WAS FUN, HONEY,
BUT THANKS FOR THE DATE.
TIME HAS COME TO RUN, HONEY, BUT
YOU KNOW, DARLING, IT'S GETTING LATE.

JUST WAIT TILL I
STRAIGHTEN MY TIE,
LEND ME YOUR COMB.
WE GOT TO GO HOME.

(Whoa!) OW!

KISSING YOU WAS FUN, HONEY,
BUT THANKS FOR THE DATE.
TIME HAS COME TO RUN, HONEY, BUT,
SUGAR-BUGGAR, IT'S GETTING LATE.

JUST WAIT TILL I
STRAIGHTEN MY TIE,
LEND ME YOUR COMB.
WE GOT TO GO HOME.

ã Carlin Music Corp.



I'LL GET YOU
By John Lennon and Paul McCartney
From Val Parnell's Sunday Night At The London Palladium, 13 October 1963


Paul: "It's called "I'll Get You."

ONE, TWO, THREE!

OH YEAH, OH YEAH,
OH YEAH, OH YEAH.

IMAGINE I'M IN LOVE WITH YOU,
IT'S EASY 'CAUSE I KNOW;
I'VE IMAGINED I'M IN LOVE WITH YOU
MANY, MANY, MANY TIMES BEFORE.

IT'S NOT LIKE ME TO PRETEND,
BUT I´LL GET YOU, I´LL GET YOU IN THE END;
YES, I WILL, I´LL GET YOU IN THE END.

OH YEAH, OH YEAH.

I THINK ABOUT YOU NIGHT AND DAY,
I NEED YOU AND IT'S TRUE.
WHEN I THINK ABOUT YOU I CAN SAY
I'M NEVER, NEVER, NEVER, NEVER BLUE.

SO I'M TELLING YOU, MY FRIEND,
THAT I´LL GET YOU, I´LL GET YOU IN THE END;
YES, I WILL, I´LL GET YOU IN THE END.

WELL, THERE'S GONNA BE A TIME,
WHEN I'M GONNA CHANGE YOUR MIND,
SO YOU MIGHT AS WELL RESIGN YOURSELF TO ME, OH YEAH.

IMAGINE I'M IN LOVE WITH YOU,
IT'S EASY 'CAUSE I KNOW;
I'VE IMAGINED I'M IN LOVE WITH YOU
MANY, MANY, MANY TIMES BEFORE.

IT'S NOT LIKE ME TO PRETEND,
BUT I´LL GET YOU, I´LL GET YOU IN THE END;
YES, I WILL, I´LL GET YOU IN THE END.

OH YEAH, OH YEAH,
OH YEAH, OH YEAH,
OH YEAH.

ã Northern Songs Ltd



"WE WERE PERFORMERS...IN BRITAIN" (speech)
John Lennon speaking to Janna Wenner of Rolling Stone, 8 December 1970, New York
City.
WE WERE PERFORMERS IN LIVERPOOL, HAMBURG AND ROUND THE DANCE HALLS, Y'KNOW AND
WHAT WE GENERATED WAS FANTASTIC. WHEN WE PLAYED STRAIGHT ROCK AND THERE WAS
NOBODY TO TOUCH US IN BRITAIN, Y'KNOW.



I SAW HER STANDING THERE
By John Lennon and Paul McCartney
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


WELL, SHE WAS JUST SEVENTEEN,
YOU KNOW WHAT I MEAN,
AND THE WAY SHE LOOKED WAS WAY BEYOND COMPARE. (yeah!)
HOW COULD I DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE.

WELL, SHE LOOKED AT ME,
AND I, I COULD SEE
THAT BEFORE TOO LONG I´D FALL IN LOVE WITH HER.
SHE WOULDN'T DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE.

WELL, MY HEART WENT BOOM,
WHEN I CROSSED THAT ROOM,
AND I HELD HER HAND IN MINE.

WOH, WE DANCED THROUGH THE NIGHT,
YEAH, AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I´LL NEVER DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE.

OW! OW!

WELL, WE DANCED THROUGH THE NIGHT,
AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I´LL NEVER DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE,
SINCE I SAW HER STANDING THERE,
OH, SINCE I SAW HER STANDING THERE.

HEY! YEAH!


- "Thank you, very much, thank you, ta, thank you very much.
That was a song from our first LP and...eh...we'd like to sing a song called
From Me To You."
ã Northern Songs Ltd



FROM ME TO YOU
By John Lennon and Paul McCartney
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


ONE, TWO, THREE!

DA DA DA DA DA DUM DUM DA,
DA DA DA DA DA DUM DUM DA.

IF THERE'S ANYTHING THAT YOU WANT,
IF THERE'S ANYTHING I CAN DO,
JUST CALL ON ME AND I´LL SEND IT ALONG,
WITH LOVE FROM ME TO YOU.

I'VE GOT EV´RYTHING THAT YOU WANT,
LIKE A HEART THAT'S OH SO TRUE.
JUST CALL ON ME AND I´LL SEND IT ALONG,
WITH LOVE FROM ME TO YOU.

I'VE GOT ARMS THAT LONG TO HOLD YOU
AND KEEP YOU BY MY SIDE.
I'VE GOT LIPS THAT LONG TO KISS YOU
AND KEEP YOU SATISFIED -OO-.

IF THERE'S ANYTHING THAT YOU WANT,
IF THERE'S ANYTHING I CAN DO,
JUST CALL ON ME AND I´LL SEND IT ALONG,
WITH LOVE FROM ME TO YOU.

FROM ME
TO YOU.
JUST CALL ON ME AND I´LL SEND IT ALONG,
WITH LOVE FROM ME TO YOU.

I'VE GOT ARMS THAT LONG TO HOLD YOU
AND KEEP YOU BY MY SIDE.
I'VE GOT LIPS THAT LONG TO KISS YOU
AND KEEP YOU SATISFIED -OO-.

IF THERE'S ANYTHING THAT YOU WANT,
IF THERE'S ANYTHING I CAN DO,
JUST CALL ON ME AND I´LL SEND IT ALONG,
WITH LOVE FROM ME TO YOU,
TO YOU,
TO YOU,
TO YOU.


Paul: "Thank you, thank you. And now we'd like to sing a song from our new
LP..."
John: "New LP!"
Paul: "Released, new LP, released in November. the song's called Money."

ã Northern Songs Ltd



MONEY (That's What I Want)
By Berry Gordy Jnr. and Janie Bradford
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


YEAH! YEAH!

THE BEST THINGS IN LIFE ARE FREE,
BUT YOU CAN KEEP 'EM FOR THE BIRDS AND BEES;
NOW GIVE ME MONEY, (that's what I want)
THAT'S WHAT I WANT, (that's what I want)
THAT'S WHAT I WANT, (that's what I want) YEAH,
THAT'S WHAT I WANT, YEAH!

YOUR LOVIN' GIVE ME A THRILL,
BUT YOUR LOVIN' DON'T PAY MY BILLS; (ow!)
NOW GIVE ME MONEY, (that's what I want)
THAT'S WHAT I WANT, (that's what I want)
THAT'S WHAT I WANT, (that's what I want) OH YEAH,
THAT'S WHAT I WANT.

MONEY DON'T GET EV´RYTHING IT'S TRUE,
WHAT IT DON'T GET I CAN'T USE;
NOW GIVE ME MONEY, (that's what I want)
THAT'S WHAT I WANT, (that's what I want)
THAT'S WHAT I WANT, (that's what I want) OH YEAH,
THAT'S WHAT I WANT.

OH YEAH!
YEAH!

MONEY DON'T GET EV´RYTHING IT'S TRUE,
WHAT IT DON'T GET I CAN'T USE;
NOW GIVE ME MONEY, (that's what I want)
THAT'S WHAT I WANT, (that's what I want)
THAT'S WHAT I WANT, (that's what I want) OH YEAH,
THAT'S WHAT I WANT.

WELL, NOW GIVE ME MONEY, (that's what I want)
WHOLE LOTTA MONEY, (that's what I want)
OH YEAH, I WANNA BE FREE, (that's what I want)
YEAH, NOW GIVE ME MONEY, (that's what I want)
THAT'S WHAT I WANT, (that's what I want) YEAH,
THAT'S WHAT I WANT, YEAH!

WELL, NOW GIVE ME MONEY, (that's what I want)
WHOLE LOTTA MONEY, (that's what I want) YEAH!
OH, NOW GIVE ME MONEY, (that's what I want)
WHOLE LOTTA MONEY (that's what I want)
THAT'S WHAT I WANT, (that's what I want) YEAH,
THAT'S WHAT I WANT.

(Ow!)
ã Jobete Music (UK)



YOU REALLY GOT A HOLD ON ME
By William Robinson
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


John: "Now we'd like to carry on with a number by an American group
called The Miracles. it's called You Really Got A Hold On Me."

I DON'T LIKE YOU, BUT I LOVE YOU;
SEEMS THAT I'M ALWAYS THINKING OF YOU.
OH, OH, OH, YOU TREAT ME WRONG NOW,
MY LOVE IS STRONG NOW,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)

BABY,
I DON'T WANT YOU, BUT I NEED YOU;
DON'T WANNA KISS YOU, BUT I NEED TO.
OH, OH, OH, YOU DO ME BADLY,
I LOVE YOU MADLY,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)

(Baby)
I LOVE YOU AND ALL I WANT YOU TO DO
IS JUST HOLD ME, HOLD ME, HOLD ME, HOLD ME.

TIGHTER,
TIGHTER!

I WANNA LEAVE YOU, DON'T WANNA STAY HERE;
DON'T WANNA SPEND ANOTHER DAY HERE.
OH, OH, OH, I WANNA SPLIT NOW,
I JUST CAN'T QUIT NOW,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)

(Baby)
I LOVE YOU AND ALL I WANT YOU TO DO
IS JUST HOLD ME, PLEASE,
HOLD ME, SQUEEZE,
HOLD ME, HOLD ME.

YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)

ã Jobete Music (UK)


ROLL OVER BEETHOVEN
By Chuck Berry
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


I'M GONNA WRITE A LITTLE LETTER,
GONNA MAIL IT TO MY LOCAL DJ
IT'S A ROCKIN' LITTLE RECORD
I WANT MY JOCKEY TO PLAY.
ROLL OVER BEETHOVEN,
GOTTA HEAR IT AGAIN TODAY.

YOU KNOW MY TEMP'RATURE´S RISIN'
THE JUKEBOX BLOWS A FUSE.
MY HEART'S BEATIN' RHYTHM
AND MY SOUL KEEPS A-SINGIN' THE BLUES.
ROLL OVER BEETHOVEN
AND TELL TCHAIKOWSKY THE NEWS.

WELL, IF YOU FEEL IT 'N' LIKE IT,
GO GET YOUR LOVER AND REEL AND ROCK IT,
ROLL IT OVER AND MOVE ON UP JUST A TRIFLE FURTHER
AND A-REEL AND ROCK IT, ROLL IT OVER.
ROLL OVER BEETHOVEN,
ROCKIN' IN TWO BY TWO.

EARLY IN THE MORNIN' I'M A-GIVIN' YOU THE WARNIN',
STEP ON MY BLUE SUEDE SHOES!
HEY DIDDLE, DIDDLE, I'M A-PLAYIN' MY FIDDLE,
AIN'T GOT NOTHIN' TO LOSE.
ROLL OVER BEETHOVEN
THEY'RE ROCKIN' IN TWO BY TWO.

YOU KNOW SHE WIGGLES LIKE A GLOW-WORM,
DANCE LIKE A SPINNIN' TOP.
SHE'S GOT A CRAZY PARTNER,
OUGHT TO SEE 'EM REEL AND ROCK.
LONG AS SHE GOT A DIME,
THE MUSIC WILL NEVER STOP.

ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
AND DIG TO THESE RHYTHM AND BLUES!

- "Thank you."

ã Jewel Music Publishing Co. Ltd



SHE LOVES YOU
By John Lennon and Paul McCartney
From the Royal Command Performance
Recorded at Prince of Wales Theatre, London, 4 November 1963


ONE, TWO

SHE LOVES YOU, YEAH, YEAH, YEAH,
SHE LOVES YOU, YEAH, YEAH, YEAH,
SHE LOVES YOU, YEAH, YEAH, YEAH, YEAH.

YOU THINK YOU'VE LOST YOUR LOVE,
WELL, I SAW HER YESTERDAY-YI-YAY.
IT'S YOU SHE'S THINKING OF
AND SHE TOLD ME WHAT TO SAY-YI-YAY.
SHE SAID SHE LOVES YOU
AND YOU KNOW THAT CAN'T BE BAD.
YES, SHE LOVES YOU
AND YOU KNOW YOU SHOULD BE GLAD.

SHE SAID YOU HURT HER SO,
SHE ALMOST LOST HER MIND.
NOW SHE SAYS SHE KNOWS
YOU'RE NOT THE HURTING KIND.
SHE SAID SHE LOVES YOU
AND YOU KNOW THAT CAN'T BE BAD.
YES, SHE LOVES YOU
AND YOU KNOW YOU SHOULD BE GLAD, -OO-.

SHE LOVES YOU, YEAH, YEAH, YEAH,
SHE LOVES YOU, YEAH, YEAH, YEAH,
WITH A LOVE LIKE THAT
YOU KNOW YOU SHOULD BE GLAD.

YOU KNOW IT'S UP TO YOU,
I THINK IT'S ONLY FAIR.
PRIDE CAN HURT YOU TOO,
APOLOGISE TO HER
BECAUSE SHE LOVES YOU
AND YOU KNOW THAT CAN'T BE BAD.
YES, SHE LOVES YOU
AND YOU KNOW YOU SHOULD BE GLAD, -OO-.

SHE LOVES YOU, YEAH, YEAH, YEAH,
SHE LOVES YOU, YEAH, YEAH, YEAH,
WITH A LOVE LIKE THAT
YOU KNOW YOU SHOULD BE GLAD.

WITH A LOVE LIKE THAT
YOU KNOW YOU SHOULD BE GLAD.

WITH A LOVE LIKE THAT
YOU KNOW YOU SHOULD
BE GLAD.

YEAH!

YEAH, YEAH, YEAH,
YEAH, YEAH, YEAH, YEAH.

ã Northern Songs Ltd

Paul: "Thank you, thank you. Thank you very much indeed
Ho! Ta, Ta."
John: "What?"
Paul: "Sorry. The next one we'd like to sing now is one that's a bit slower.
This is from the show "The Music Man" and it's also been recorded
by our favourite American group, Sophie Tucker."



TILL THERE WAS YOU
By Meredith Willson
From the Royal Command Performance
Recorded at Prince of Wales Theatre, London, 4 November 1963


ONE, TWO, THREE, FOUR.

THERE WERE BELLS ON A HILL,
BUT I NEVER HEARD THEM RINGING,
NO, I NEVER HEARD THEM AT ALL,
TILL THERE WAS YOU.

THERE WERE BIRDS IN THE SKY,
BUT I NEVER SAW THEM WINGING,
NO, I NEVER SAW THEM AT ALL,
TILL THERE WAS YOU.

THEN THERE WAS MUSIC,
AND WONDERFUL ROSES, THEY HAD SENT ME,
IN SWEET, FRAGRANT MEADOWS
OF DAWN AND DEW.

THERE WAS LOVE ALL AROUND,
BUT I NEVER HEARD IT SINGING,
NO, I NEVER HEARD IT AT ALL,
TILL THERE WAS YOU.

THEN THERE WAS MUSIC,
AND WONDERFUL ROSES, THEY HAD SENT ME,
IN SWEET, FRAGRANT MEADOWS
OF DAWN AND DEW.

THERE WAS LOVE ALL AROUND,
BUT I NEVER HEARD IT SINGING,
NO, I NEVER HEARD IT AT ALL,
TILL THERE WAS YOU.

TILL THERE WAS YOU.

ã MPL Communications Ltd.



TWIST AND SHOUT
By Bert Russell and Phil Medley (pseudonym of Bert Berns)
From the Royal Command Performance
Recorded at Prince of Wales Theatre, London, 4 November 1963


John: "Thank you. For our last number I'd like to ask your help...
Would the people in the cheaper seats, clap your hands...
and the rest of you if you'd just rattle your jewel'ry!
Thank you. We'd like to sing a song called Twist And Shout."

YEAH! EV'RYBODY, HEY!
AH! HEY! HEY!

SHAKE IT UP, BABY, NOW, (shake it up, baby)
TWIST AND SHOUT. (twist and shout)
COME ON, COME ON, COME ON, COME ON, BABY, NOW, (come on, baby)
COME ON AND WORK IT ON OUT. (work it on out -oo-)
WELL, WORK IT ON OUT, (work it on out)
YOU KNOW YOU LOOK SO GOOD, (look so good)
YOU KNOW YOU GOT ME GOIN' NOW, (got me goin')
JUST LIKE I KNEW YOU WOULD. (like I knew you would -oo-)

WELL, SHAKE IT UP, BABY, NOW, (shake it up, baby)
TWIST AND SHOUT. (twist and shout)
COME ON, COME ON, COME ON, COME ON, BABY, NOW, (come on, baby)
COME ON AND WORK IT ON OUT. (work it on out -oo-)
WELL, YOU KNOW YOU TWIST, LITTLE GIRL, (twist little girl)
YOU KNOW YOU TWIST SO FINE, (twist so fine)
COME ON AND TWIST A LITTLE CLOSER NOW, (twist a little closer)
AND LET ME KNOW THAT YOU'RE MINE. (let me know you're mine -oo-)

[AH]WHO[-]A!

WELL, SHAKE IT UP, BABY, NOW, (shake it up, baby)
TWIST AND SHOUT. (twist and shout)
COME ON, COME ON, COME ON, COME ON, BABY, NOW, (come on, baby)
COME ON AND WORK IT ON OUT. (work it on out -oo-)
WELL, YOU KNOW YOU TWIST, LITTLE GIRL, (twist little girl)
YOU KNOW YOU TWIST SO FINE, (twist so fine)
COME ON AND TWIST A LITTLE CLOSER NOW, (twist a little closer)
AND LET ME KNOW THAT YOU'RE MINE. (let me know you're mine)

WELL, SHAKE IT, SHAKE IT, SHAKE IT, BABY, NOW, (shake it up, baby)
WELL, SHAKE IT, SHAKE IT, SHAKE IT, BABY, NOW, (shake it up, baby)
WELL, SHAKE IT, SHAKE IT, SHAKE IT, BABY, NOW. (shake it up, baby -oo-)

[AH]YEA[-]H!

HEY!

ã EMI Music Publishing



THIS BOY
By John Lennon and Paul McCartney
From The Morecambe And Wise Show
Recorded 2 December 1963 at ATV Studios, Borehamwood


THAT BOY TOOK MY LOVE AWAY,
HE'LL REGRET IT SOME DAY,
BUT THIS BOY WANTS YOU BACK AGAIN.

THAT BOY ISN'T GOOD FOR YOU,
THO' HE MAY WANT YOU TOO,
THIS BOY WANTS YOU BACK AGAIN.

OH, AND THIS BOY
COULD BE HAPPY
JUST TO LOVE YOU.
                                                                                    
{sot}
BUT, OH, MY-HI-HI-HI,

{eot}
THAT BOY
WON'T BE HAPPY
                                                                                    
{sot}
TILL HE'S SEEN YOU CRY-HI-HI-HI.

{eot}

THIS BOY WOULDN'T MIND THE PAIN,
WOULD ALWAYS FEEL THE SAME
IF THIS BOY GETS YOU BACK AGAIN.

THIS BOY,
THIS BOY,
THIS BOY.

ã Northern Songs Ltd



I WANT TO HOLD YOUR HAND
By John Lennon and Paul McCartney
From The Morecambe And Wise Show
Recorded 2 December 1963 at ATV Studios, Borehamwood


OH YEAH, I´LL TELL YOU SOMETHING,
I THINK YOU'LL UNDERSTAND.
WHEN I SAY THAT SOMETHING,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND.

OH, PLEASE, SAY TO ME,
YOU LET ME BE YOUR MAN.
AND PLEASE, SAY TO ME,
YOU'LL LET ME HOLD YOUR HAND.
NOW LET ME HOLD YOUR HAND,
I WANNA HOLD YOUR HAND.

AND WHEN I TOUCH YOU I FEEL HAPPY INSIDE.
IT'S SUCH A FEELING THAT MY LOVE,
I CAN'T HIDE,
I CAN'T HIDE,
I CAN'T HIDE!

YEAH, YOU GOT THAT SOMETHING,
I THINK YOU'LL UNDERSTAND.
WHEN I SAY THAT SOMETHING,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND.

AND WHEN I TOUCH YOU I FEEL HAPPY INSIDE.
IT'S SUCH A FEELING THAT MY LOVE,
I CAN'T HIDE,
I CAN'T HIDE,
I CAN'T HIDE! (-oo-)

YEAH, YOU GOT THAT SOMETHING,
I THINK YOU'LL UNDERSTAND.
WHEN I FEEL THAT SOMETHING,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND,
I WANNA HOLD YOUR HAND.

ã Northern Songs Ltd



"BOYS, WHAT I WAS THINKING..."
From The Morecambe And Wise Show
Recorded 2 December 1963 at ATV Studios, Borehamwood


Ernie Wise: "Did you enjoy that, boys?
Now boys...what I was thinking was, er...would you like to do a number with us,
you
know, we'd like to do a number together."
Beatles: "Yeah,...oh yes...great!"
Eric Morecambe: "Hey eh! It's the Kay Sisters, they've come! Great! Fabulous!
E.W: "They're not the Kay Sisters...this is the..."
E.M. "I'm glad you've dyed your hair!"
E.W. "This is The Beatles!"
E.M. "Hello, Beetle!
George: "Hello."
E.M. "Where is he?"
E.W. "Where is he?"
E.M. "There he is...hello, Bongo!"
E.W. "That's Ringo!"
E.M. "Oh, is he that as well...oh...by golly!"
E.W. "As you can gather, this is Eric. Say hello to Eric."
Paul: "Hello, Eric."
E.M. "Hello, mate."
Paul: "I remember you. You're the one with the short, fat, hairy legs!"
E.M. "No, no, no, he's the one with the short, fat, hairy legs!"
E.W. "Yeah."
E.M. "No, him."
E.W. "Yeah."
George: "We're the one's with the big, fat, hairy heads! Get out of that!"
E.M. "Eh! What's it like being famous?"
John "Well, it's not like in your day, y'know."
E.W. "What?"
E.M. "That's an insult!"
E.W. "You didn't expect that, did you?"
E.M. "No! What do you mean, not like in my day?"
John: "Oh, my dad used to tell me about you, y'know."
E.W. "In the old days?"
E.M. "You've still got a little dad, have you? His dad used to tell him...it's a
bit strong isn't?
E.W. "No, he's right!"
E.M. "All right, Bonzo!"
E.W. "Bonzo?! That's Ringo!"
E.M. "Yeah, him as well...get them off, they've done enough."
E.W. "What do you mean, done enough?"
E.M. "No, well, I'm getting insulted now. Get off!!"
E.W. "No, what I was going to suggest was let's do a number with the boys."
E.M. "Oh yes...one that their dad'll remember...that I used to do with your
dad!"
E.W. "You go and get changed."
E.M. "Yes, I will, right."
E.W. "What do you think we should do, boys? What about...er...something that's
more suitable
for Eric's age."
John: "Moonlight Bay."
E.W. "Moonlight Bay?!"
John: "Yeah."
E.W. "So, Ladies and Gentlemen, we're going to make history on television. For
the first time we have Morecambe
and Wise and The Beatles presenting to you that wonderful old fashioned number
'Moonlight Bay'. You all
remember the number? Ok, fellas, that's great. You look marvellous. Are you
ready?"
John: "Aye!"
E.W. "All right, we'll take it from the top. Ok, Ken, thank you.


MOONLIGHT BAY
By Edward Madden and Percy Wenrich


WE WERE SAILING ALONG (twist and shout!)
ON MOONLIGHT BAY, (ooh)
WE COULD HEAR THE VOICES SINGING, (I like it!)
THEY SEEMED TO SAY,
"YOU HAVE BROKEN MY HEART, (oh, twist and shout!)
SO DON'T GO WAY (are The Beatles gone?)
WITH YOU BIG, FAT, HAIRY LEGS
ON MOONLIGHT BAY,
ON MOONLIGHT BAY

OOH!
YEAH!

ã Redwood Music Ltd.



CAN'T BUY ME LOVE (Take 2, guitar solo from take 1)
By John Lennon and Paul McCartney


CAN'T BUY ME LOVE, OH,
LOVE, OH,
CAN'T BUY ME LOVE, OH.

I´LL BUY YOU A DIAMOND RING, MY FRIEND,
IF IT MAKES YOU FEEL ALL RIGHT.
I´LL GET YOU ANYTHING, MY FRIEND,
IF IT MAKES YOU FEEL ALL RIGHT.
I DON'T CARE TOO MUCH FOR MONEY,
MONEY CAN'T BUY ME LOVE.

I´LL GIVE YOU ALL I'VE GOT TO GIVE
IF YOU SAY YOU LOVE ME TOO. (ooh, love me too)
I MAY NOT HAVE A LOT TO GIVE
BUT WHAT I'VE GOT I´LL GIVE TO YOU. (ooh, give to you)
I DON'T CARE TOO MUCH FOR MONEY,
MONEY CAN'T BUY ME LOVE.

CAN'T BUY ME LOVE, OH,
EV´RYBODY SAID IT'S SO.
CAN'T BUY ME LOVE, OH,
A-NO, NO, NO, NO.

SAY YOU DON'T WANT NO DIAMOND RINGS
AND I´LL BE SATISFIED. (ooh, satisfied)
TELL ME THAT YOU WANT THE KIND OF THINGS
THAT MONEY JUST CAN'T BUY. (ooh, just can't buy)
I DON'T CARE TOO MUCH FOR MONEY,
MONEY CAN'T BUY ME LOVE.

OW-HO! HO!

CAN'T BUY ME LOVE, OH,
EV´RYBODY SAID IT'S SO.
CAN'T BUY ME LOVE, OH,
A-NO, NO, NO, NO.

SAY YOU DON'T WANT THE KIND OF THINGS,
                                                                                    
{sot}
A-BA-BA-BA-BA, BEE-DOOBI-DOOBI,

{eot}
SAY THAT YOU WANT THE KIND OF THINGS
THAT MONEY JUST CAN'T BUY. (ooh, just can't buy)
'CAUSE I DON'T CARE TOO MUCH FOR MONEY,
MONEY CAN'T BUY ME LOVE.

CAN'T BUY ME LOVE, OH,
LOVE, OH,
LOVE, OH, OH.
ã Northern Songs Ltd



ALL MY LOVING
By John Lennon and Paul McCartney
Recorded live 9 February 1964 at the Ed Sullivan Show, CBS television studio,
New York

Ed Sullivan: "Ladies and Gentlemen, The Beatles!"

HO!
ONE, TWO, THREE, FOUR, FIVE!

CLOSE YOUR EYES AND I´LL KISS YOU,
TOMORROW I´LL MISS YOU;
REMEMBER I´LL ALWAYS BE TRUE. (yeah)
AND THEN WHILE I'M AWAY,
I´LL WRITE HOME EV´RY DAY
AND I´LL SEND ALL MY LOVING TO YOU.

I´LL PRETEND THAT I'M KISSING
THE LIPS I AM MISSING
AND HOPE THAT MY DREAMS WILL COME TRUE.
AND THEN WHILE I'M AWAY,
I´LL WRITE HOME EV´RY DAY
AND I´LL SEND ALL MY LOVING TO YOU.

ALL MY LOVING
I WILL SEND TO YOU.
ALL MY LOVING
DARLING, I´LL BE TRUE.

YEAH, HEY!
OH YEAH!
HEY!
YEAH!

CLOSE YOUR EYES AND I´LL KISS YOU,
TOMORROW I´LL MISS YOU;
REMEMBER I´LL ALWAYS BE TRUE.
AND THEN WHILE I'M AWAY,
I´LL WRITE HOME EV´RY DAY
AND I´LL SEND ALL MY LOVING TO YOU.

ALL MY LOVING
I WILL SEND TO YOU.
ALL MY LOVING
DARLING, I´LL BE TRUE.

HEY!
ALL MY LOVING,
ALL MY LOVING,
OO, ALL MY LOVING
I WILL SEND TO YOU.

HEY!

ã Northern Songs Ltd



YOU CAN'T DO THAT (Take 6)
By John Lennon and Paul McCartney


A ONE, TWO, THREE, FOUR!

I'VE GOT SOMETHING TO SAY THAT MIGHT CAUSE YOU PAIN;
IF I CATCH YOU TALKING TO THAT BOY AGAIN,
I'M GONNA LET YOU DOWN
AND LEAVE YOU FLAT,
BECAUSE I'VE TOLD YOU BEFORE,
OH, YOU CAN'T DO THAT.

WELL, IT'S THE SECOND TIME I'VE CAUGHT YOU TALKING TO HIM;
DO I HAVE TO TELL YOU ONE MORE TIME I THINK IT'S A SIN?
I THINK I´LL LET YOU DOWN
AND LEAVE YOU FLAT,
BECAUSE I'VE TOLD YOU BEFORE,
OH, YOU CAN'T DO THAT.

EV´RYBODY´S GREEN,
'CAUSE I'M THE ONE WHO WON YOUR LOVE.
BUT IF THEY'D SEEN
YOU TALKING THAT WAY THEY'D LAUGH IN MY FACE.

SO PLEASE LISTEN TO ME IF YOU WANNA STAY MINE,
I CAN'T HELP MY FEELINGS, I´LL GO OUT OF MY MIND.
I'M GONNA LET YOU DOWN
AND LEAVE YOU FLAT,
BECAUSE I'VE TOLD YOU BEFORE,
OH, YOU CAN'T DO THAT.

WHOA!

EV´RYBODY´S GREEN,
'CAUSE I'M THE ONE WHO WON YOUR LOVE.
BUT IF THEY'D SEEN
YOU TALKING THAT WAY THEY'D LAUGH IN MY FACE.

SO PLEASE LISTEN TO ME IF YOU WANNA STAY MINE,
I CAN'T HELP MY FEELINGS, I´LL GO OUT OF MY MIND.
I´LL GO AND LET YOU DOWN
AND LEAVE YOU FLAT,
BECAUSE I'VE TOLD YOU BEFORE,
OH, YOU CAN'T DO THAT.

ã Northern Songs Ltd



AND I LOVE HER (Take 2)
By John Lennon and Paul McCartney


I GIVE HER ALL MY LOVE,
THAT'S ALL I DO;
AND IF YOU SAW MY LOVE,
YOU'D LOVE HER TOO,
I LOVE HER.

SHE GIVES ME EV´RYTHING,
AND TENDERLY;
THE KISS MY LOVER BRINGS,
SHE BRINGS TO ME,
AND I LOVE HER.

SHE...BRIGHT ARE THE STARS THAT SHINE,
DARK IS THE SKY;
I KNOW THIS LOVE OF MINE,
WILL NEVER DIE,
AND I LOVE HER.

BRIGHT ARE THE STARS THAT SHINE,
DARK IS THE SKY;
I KNOW THIS LOVE OF MINE,
WILL NEVER DIE,
AND I LOVE HER.

ã Northern Songs Ltd



A HARD DAY'S NIGHT (Take 1)
By John Lennon and Paul McCartney


IT'S BEEN A HARD DAY'S NIGHT
AND I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT.

YOU KNOW I WORK ALL DAY,
TO GET YOU MONEY TO BUY YOU THINGS.
AND IT'S WORTH IT JUST TO HEAR YOU SAY
YOU'RE GONNA GIVE ME EV´RYTHING.
SO WHY ON EARTH SHOULD I MOAN?
'CAUSE WHEN I GET YOU ALONE,
YOU KNOW I FEEL OKAY.

WHEN I'M HOME EV´RYTHING SEEMS TO BE RIGHT-IGHT-IGHT,
WHEN I'M HOME FEELING YOU HOLDING ME TIGHT ALL THROUGH THE NIGHT, OW!

IT'S BEEN A HARD DAY'S NIGHT
I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT.

OH-OW!

BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT.

WHEN I'M HOME EV´RYTHING....(forgets lyrics)
WHEN I'M HOME, (ha! ha!) EV'RYTHING... ME TIGHT ALL THROUGH THE NIGHT, OH.

IT'S BEEN A HARD DAY'S NIGHT
I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT,
WELL, ALRIGHT,
FEEL ALRIGHT.


- HA! HA! HA!

ã Northern Songs Ltd



I WANNA BE YOUR MAN
By John Lennon and Paul McCartney
From "Around The Beatles" TV Special.
Recorded: 19 April 1964 at the IBC Studios, London
Transmitted: 6 May 1964.


I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN;
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN.

LOVE YOU LIKE NO OTHER, BABY, LIKE NO OTHER CAN;
LOVE YOU LIKE NO OTHER, BABY, LIKE NO OTHER CAN.

I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.

(Whoa!)

TELL ME THAT YOU LOVE ME, BABY, LET ME UNDERSTAND;
TELL ME THAT YOU LOVE ME, BABY, I WANNA BE YOUR MAN.

I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN;
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN.

I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.

Whoa!
Yeah!
Yeah!
Whoa! Woh!
Oh!

(I wanna be your man)

I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.

(Ow!)
YEAH! I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN, OOH,
I WANNA BE YOUR MAN, OH YEAH -OO-,
I WANNA BE YOUR MAN, ALRIGHT!
I WANNA BE YOUR MAN, OH YEAH!

ã Northern Songs Ltd



LONG TALL SALLY
By Enotris Johnson, Richard Penniman and Robert Blackwell
From "Around The Beatles" TV Special.
Recorded: 19 April 1964 at the IBC Studios, London
Transmitted: 6 May 1964.


I'M GONNA TELL AUNT MARY 'BOUT UNCLE JOHN,
SAID HE HAD THE MIS´RY BUT HE'S GOT A LOT OF FUN.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT, YEAH.

I SAW UNCLE JOHN WITH BALD HEADED SALLY,
HE SAW AUNT MARY COMIN' AND HE DUCKED BACK IN THE ALLEY.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT.

WHOA!
WOH!

WELL, LONG TALL SALLY'S BUILT A-PRETTY SWEET,
SHE GOT EV´RYTHING THAT UNCLE JOHN NEED.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT.


OW!
WE'RE GONNA SOME FUN TONIGHT,
HAVE SOME FUN TONIGHT, YEAH,
EV´RYTHING´S ALL RIGHT,
SOME FUN TONIGHT,
WE'RE GONNA HAVE SOME FUN,
YEAH! YEAH! YEAH! YEAH!

NOW, WE'RE GONNA SOME FUN TONIGHT,
HAVE SOME FUN TONIGHT,
OW! EV´RYTHING´S ALL RIGHT,
HAVE SOME FUN TONIGHT,
WE'RE GONNA HAVE SOME FUN,
SOME FUN TONIGHT.

OW!

ã Peermusic (UK) Ltd.



BOYS
By Luther Dixon and Wes Farrell
From "Around The Beatles" TV Special.
Recorded: 19 April 1964 at the IBC Studios, London
Transmitted: 6 May 1964.


I'VE BEEN TOLD WHEN A BOY KISS A GIRL
TAKE A TRIP AROUND THE WORLD.
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
WOH, SHE SAY YOU DO. (bop shoo wa, yeah - oo-)

MY GIRL SAYS WHEN I KISS HER LIPS
GETS THE THRILL THROUGH HER FINGERTIPS. (whoa ho!)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
WOH, SHE SAY YOU DO. (bop shoo wa, yeah -oo-)

AH, I TALK ABOUT BOYS, (yeah, yeah, boys)
DON'T YOU KNOW I MEAN BOYS? (yeah, yeah, boys)
I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
AHA - (yeah, yeah, boys)
I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
WHAT A BUNDLE OF JOY. (yeah, yeah, whoa!)

ALL RIGHT, GEORGE! (ow!)

I TALK ABOUT BOYS, (yeah, yeah, boys)
DON'T YOU KNOW I MEAN BOYS? (yeah, yeah, boys)
AH, I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
AHA - (yeah, yeah, boys)
I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
WHAT A BUNDLE OF JOY. (ow! ho!)

ã Ardmore & Beechwood/EMI



SHOUT
By Rudolph Isley, Ronald Isley and O'Kelly Isley
From "Around The Beatles" TV Special.
Recorded: 19 April 1964 at the IBC Studios, London
Transmitted: 6 May 1964.

YOU KNOW YOU WANT TO MAKE ME:
SHOUT! SHAKE MY FINGERS!
SHOUT! THROW MY HANDS BACK!
SHOUT! KICK MY HEELS UP!
SHOUT! COME ON NOW,
SHOUT! TAKE IT EASY,
SHOUT! TAKE IT EASY,
SHOUT! TAKE IT EASY.

SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! (ooh) A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW,
SHOUT! A LITTLE BIT SOFTER NOW.

SHOUT! A LITTLE BIT LOUDER NOW,
SHOUT! A LITTLE BIT LOUDER NOW,
SHOUT! (ooh) A LITTLE BIT LOUDER NOW,
SHOUT! (ooh) A LITTLE BIT LOUDER NOW,
SHOUT! (ooh) A LITTLE BIT LOUDER NOW,
SHOUT! A LITTLE BIT LOUDER NOW,
SHOUT! A LITTLE BIT LOUDER NOW,
SHOUT! A LITTLE BIT LOUDER NOW.

SHOUT!
HEY HEY HEY HEY! (hey hey hey hey!)
HEY HEY HEY HEY! (hey hey hey hey!)
HEY HEY HEY HEY! (hey hey hey hey!)
HEY HEY HEY HEY! (hey hey hey hey!)

SHOUT! NOW,
SHOUT! JUMP UP AND SHOUT NOW! (yeah!)
SHOUT! JUMP UP AND SHOUT NOW!
SHOUT! JUMP UP AND SHOUT NOW!
SHOUT! JUMP UP AND SHOUT NOW!
SHOUT! BLOODY SHOUT NOW!
SHOUT! BLOODY JUMP NOW!
SHOUT! BLOODY SHOUT NOW!
SHOUT! BLOODY SHOUT NOW!
SHOUT! BLOODY SHOUT NOW!
SHOUT! SHOUT! SHOUT! SHOUT! SHOUT!
SHOUT! SHOUT! SHOUT! SHOUT! SHOUT!
SHOUT! SHOUT! SHOUT! SHOUT!

ã Windswept Pacific Music Ltd.



I´LL BE BACK (TAKE 2)
By John Lennon and Paul McCartney


ONE, TWO, THREE, ONE, TWO.

YOU KNOW,
IF YOU BREAK MY HEART I´LL GO,
BUT I´LL BE BACK AGAIN.
'CAUSE I
TOLD YOU ONCE BEFORE GOODBYE,
BUT I CAME BACK AGAIN.

I LOVE YOU SO,
I'M THE ONE WHO WANTS YOU,
YES, I'M THE ONE WHO WANTS YOU,
OH HO,
OH HO.

YOU, YOU COULD FIND BETTER THINGS TO DO
THAN TO BREAK MY HEART AGAIN.
THIS TIME
I WILL TRY TO SHOW THAT I'M
NOT TRYING TO PRETEND.

'CAUSE I THOUGHT THAT YOU WOULD REALISE...

John: "It's too hard to sing!"

THAT IF YOU WOULD WANT ME TO,
AND IF YOU WOULD LOVE ME....

John: "When I start going 'woh, woh' about eight times."
Paul: "I just want to sing that bit."

ã Northern Songs Ltd



I´LL BE BACK (Take 3)
By John Lennon and Paul McCartney


ONE, TWO, THREE.

YOU KNOW,
IF YOU BREAK MY HEART I´LL GO,
BUT I´LL BE BACK AGAIN.
'CAUSE I
TOLD YOU ONCE BEFORE GOODBYE,
BUT I CAME BACK AGAIN.

I LOVE YOU SO,...HA! HA!
I'M THE ONE WHO WANTS YOU,
YES, I'M THE ONE WHO WANTS YOU,
OH HO,
OH HO.

OH, YOU
COULD FIND BETTER THINGS TO DO
THAN TO BREAK MY HEART AGAIN.
THIS TIME
I WILL TRY TO SHOW THAT I'M
NOT TRYING TO PRETEND.

'CAUSE I THOUGHT THAT YOU WOULD REALISE
THAT IF I RAN AWAY FROM YOU,
THAT YOU WOULD WANT ME TO,
BUT I GOT A BIG SURPRISE,
OH HO,
OH HO.

OH, YOU
COULD FIND BETTER THINGS TO DO
THAN TO BREAK MY HEART AGAIN.
THIS TIME
I WILL TRY TO SHOW THAT I'M
NOT TRYING TO PRETEND.

I WANNA GO,
BUT I HATE TO LEAVE YOU,
YOU KNOW I HATE TO LEAVE YOU,
OH HO,
OH HO,
OH HO.
ã Northern Songs Ltd



YOU KNOW WHAT TO DO (Demo)
By George Harrison


WHEN I SEE YOU I JUST DON'T KNOW WHAT TO SAY.
I LIKE TO BE WITH YOU EVERY HOUR OF THE DAY.
SO IF YOU WANT ME JUST LIKE I NEED YOU,
YOU KNOW WHAT TO DO.

I WATCHED YOU WALKING BY AND YOU LOOKED ALL ALONE.
I HOPE THAT YOU WON'T MIND IF I WALK YOU BACK HOME.
BUT IF YOU WANT ME JUST LIKE I NEED YOU,
YOU KNOW WHAT TO DO.

JUST CALL ON ME WHEN YOU'RE LONELY,
I'LL KEEP MY LOVE FOR YOU ONLY,
I'LL CALL ON YOU IF I'M LONELY TOO.

UNDERSTAND I'LL STAY WITH YOU EVERY DAY.
MAKE YOU LOVE ME MORE IN EVERY WAY.
SO IF YOU WANT ME JUST LIKE I WANT YOU.
YOU KNOW WHAT TO DO.

JUST CALL ON ME WHEN YOU'RE LONELY,
I'LL KEEP MY LOVE FOR YOU ONLY,
I'LL CALL ON YOU IF I'M LONELY TOO.

UNDERSTAND I'LL STAY WITH YOU EVERY DAY.
MAKE YOU LOVE ME MORE IN EVERY WAY.
SO IF YOU WANT ME JUST LIKE I NEED YOU.
YOU KNOW WHAT TO DO.
ã Dick James Music Ltd.



NO REPLY (Demo)
By John Lennon and Paul McCartney


Control room: - "No Reply, take one!"

ONE, TWO, THREE, FOUR, ONE

THIS HAPPENED ONCE BEFORE,
WHEN I CAME TO YOUR DOOR,
NO REPLY.
THEY SAID IT WASN'T YOU,
BUT I SAW YOU PEEP THROUGH YOUR WINDOW.
I SAW THE LIGHT,
I KNOW THAT YOU SAW ME,
'CAUSE I LOOKED UP TO SEE YOUR FACE.

I TRIED TO TELEPHONE,
THEY SAID YOU WERE NOT HOME,
THAT'S A LIE. (you dirty liar!)
'CAUSE I KNOW WHERE YOU'VE BEEN,
AND I SAW YOU WALK IN YOUR (DOOR) FACE! (Ha! Ha!)
I NEARLY DIED,
'CAUSE YOU WALKED HAND IN HAND
WITH ANOTHER MAN...YOUR FACE! (Ha!)

IF I WERE YOU I´D REALISE
THAT I LOVE YOU MORE
THAN ANY OTHER GUY.
AND I´LL FORGET THE LIES
THAT I HEARD BEFORE
WHEN YOU GAVE ME NO REPLY.

THIS HAPPENED ONCE BEFORE, (oh yeah!)
WHEN I CAME TO YOUR DOOR,
NO REPLY.
THEY SAID IT WASN'T YOU,
BUT I SAW YOU PEEP THROUGH YOUR FACE! (Ha! Ha!)

OH!

ã Northern Songs Ltd



MR. MOONLIGHT (Combination of takes 1 and 4)
By Roy Lee Johnson


MISTER MOONLIGHT

John: "Oh stop!"
Paul: "Nearly."
John: "Yes, not bad that one."

MISTER MOONLIGHT!

YOU CAME TO ME ONE SUMMER NIGHT,
AND FROM YOUR ABOVE YOU SENT MY LOVE.
AND FROM THE WHIRL YOU SENT MY GIRL,
AND FROM YOUR BEAM YOU MADE MY DREAM.

ON THE NIGHT YOU DON'T GO MY WAY,
I PRAY AND PRAY MORE EACH DAY,
'CAUSE WE LOVE YOU, MISTER MOONLIGHT.

MISTER MOONLIGHT, COME AGAIN, PLEASE,
HERE I AM ON MY KNEES, BEGGING IF YOU PLEASE.

ON THE NIGHT YOU DON'T GO MY WAY,
I PRAY AND PRAY MORE EACH DAY,
'CAUSE WE LOVE YOU, MISTER MOONLIGHT.

BRRR, OH!
OH!
BRRR, OW!

ON THE NIGHT YOU DON'T GO MY WAY,
I PRAY AND PRAY MORE EACH DAY,
'CAUSE WE LOVE YOU, MISTER MOONLIGHT.

MISTER MOONLIGHT, COME AGAIN, PLEASE,
HERE I AM ON MY KNEES, BEGGING IF YOU PLEASE.

ON THE NIGHT YOU DON'T GO MY WAY,
OH, I PRAY AND PRAY MORE EACH DAY,
'CAUSE WE LOVE YOU, MISTER MOONLIGHT,
MISTER MOONLIGHT,
MISTER MOONLIGHT,
MISTER MOONLIGHT,
MISTER.

ã BMG Music Publishing



LEAVE MY KITTEN ALONE (TAKE 5)
By Little Willie John, Titus Turner and James McDougal


YOU BETTER LEAVE MY KITTEN ALL ALONE,
YOU BETTER LEAVE MY KITTEN ALL ALONE.
WELL, I TOLD YOU, BIG, FAT BULLDOG,
YOU BETTER LEAVE HER ALONE.

YOU BETTER LEAVE MY KITTEN ALL ALONE,
YOU BETTER LEAVE MY KITTEN ALL ALONE.
THIS DOG IS GONNA GET YOU
IF YOU DON'T LEAVE HER ALONE.

WELL, MISTER DOG I'M GONNA HIT YOU ON THE TOP OF YOUR HEAD.
THAT CHILD IS GONNA MISS YOU, YOU GONNA WISH THAT YOU WAS DEAD.

IF YOU DON'T LEAVE MY KITTEN ALL ALONE.
WELL, I TOLD YOU, BIG, FAT BULLDOG,
YOU BETTER LEAVE HER ALONE.

WELL, ALRIGHT!
YEAH!
HEY! HEY!
YEAH!
YEAH! YEAH! YEAH!

WELL, MISTER DOG I'M GONNA HIT YOU ON THE TOP OF YOUR HEAD.
THAT GAL IS GONNA MISS YOU, YOU GONNA WISH THAT YOU WAS DEAD.

IF YOU DON'T LEAVE MY KITTEN ALL ALONE, OH YEAH.
WELL, I TOLD YOU, BIG, FAT BULLDOG,
YOU BETTER LEAVE HER ALONE.

HEY-HEY!
YOU BETTER LEAVE,
YOU BETTER LEAVE,
YOU BETTER LEAVE,
YEAH, YOU BETTER LEAVE,
YOU BETTER LEAVE,
OH, YOU GOT TO LEAVE...
YEAH, HEY!
WELL, I TOLD YOU, BIG, FAT BULLDOG.

ã Warner-Chappell/Lark Music Ltd



NO REPLY (Take 2)
By John Lennon and Paul McCartney


Control room: - "Take two!"

- "Through your door."
John: "Let's put it in A."
Paul: "Well, no."
John: "Yeah."
Paul: "Shh! One, two, three."

THIS HAPPENED ONCE BEFORE,
WHEN I CAME TO YOUR DOOR,
NO REPLY.
THEY SAID IT WASN'T YOU,
BUT I SAW YOU PEEP THROUGH YOUR WINDOW.
I SAW THE LIGHT,
I SAW THE LIGHT,
I KNOW THAT YOU SAW ME,
'CAUSE I LOOKED UP TO SEE YOUR FACE.

(Okay)

I TRIED TO TELEPHONE,
THEY SAID YOU WERE NOT HOME,
THAT'S A LIE.
'CAUSE I KNOW WHERE YOU'VE BEEN,
AND I SAW YOU WALK IN YOUR DOOR. (your door, door, door, door)
I NEARLY DIED,
I NEARLY DIED,
'CAUSE YOU WALKED HAND IN HAND
WITH ANOTHER MAN IN MY PLACE.

IF I WERE YOU I´D REALISE
THAT I, OH, LOVE YOU MORE
THAN ANY OTHER GUY.
AND I´LL FORGIVE THE LIES
THAT I HEARD BEFORE
WHEN YOU GAVE ME NO REPLY.

THIS HAPPENED ONCE BEFORE,
WHEN I CAME TO YOUR DOOR,
NO REPLY.
THEY SAID IT WASN'T YOU,
BUT I SAW YOU PEEP THROUGH YOUR WINDOW.
I SAW THE LIGHT,
I SAW THE LIGHT,
I KNOW THAT YOU SAW ME,
'CAUSE I LOOKED UP TO SEE YOUR FACE.
(No reply)
NO REPLY,
(NO REPLY.)

John: "ply, ply, sorry! I thought we were in the middle eight. Sorry about that.
Well, we just found out what to do anyway, that's good."

ã Northern Songs Ltd



EIGHT DAYS A WEEK (SEQUENCE)
By John Lennon and Paul McCartney

John: "Okay, is it just me and you?
Paul: "Yeah."
John: "One, two, three, four."

                                                                                    
{sot}
OO-OO-OO-OO-OO

{eot}
OO-OO.

OH, I NEED YOUR LOVE, BABE,
GUESS YOU KNOW IT'S TRUE.
HOPE YOU NEED MY LOVE, BABE,
JUST LIKE I NEED YOU.
HOLD ME, LOVE ME,
HOLD ME, LOVE ME,
AIN'T GOT NOTHING BUT LOVE, BABE,
EIGHT DAYS A WEEK.

LOVE YOU EV´RY DAY, GIRL,
ALWAYS ON MY MIND.

John: "Er..snotty!"
Paul: "Can I play that by myself? It might be better."
John: "Remember the other two verses."
Paul: "I'll try to remember, John and if I don't, well, it's just too bad, isn't
it?"

                                    
EIGHT DAYS A WEEK (COMPLETE)
By John Lennon and Paul McCartney

Paul: "One."
John: "Wait, hold on!"
Paul: "One, two, three"

OO -

John: "Oh no, you're daft, cat!"
Paul: "That's only one of the four of them
Ringo: "That's what the seriar says
Paul: "One, two, three, four:"

OO -

OH, I NEED YOUR LOVE, BABE, GUESS YOU KNOW IT'S TRUE.
HOPE YOU NEED MY LOVE, BABE, JUST LIKE I NEED YOU.
HOLD ME, LOVE ME,
HOLD ME, LOVE ME,
I AIN'T GOT NOTHING BUT LOVE, BABE,
EIGHT DAYS A WEEK.

LOVE YOU EV´RY DAY, GIRL, ALWAYS ON MY MIND.
ONE THING I CAN SAY, GIRL, LOVE YOU ALL THE TIME.
HOLD ME, LOVE ME,
HOLD ME, LOVE ME,
AIN'T GOT NOTHING BUT LOVE, GIRL,
EIGHT DAYS A WEEK.

EIGHT DAYS A WEEK, I LOVE YOU.
EIGHT DAYS A WEEK, IS NOT ENOUGH TO SHOW I CARE.

OH, I NEED YOUR LOVE, BABE, GUESS YOU KNOW IT'S TRUE.
HOPE YOU NEED MY LOVE, BABE, JUST LIKE I NEED YOU.
HOLD ME, LOVE ME,
HOLD ME, LOVE ME,
I AIN'T GOT NOTHING BUT LOVE, BABE,
EIGHT DAYS A WEEK.

EIGHT DAYS A WEEK, I LOVE YOU.
EIGHT DAYS A WEEK, IS NOT ENOUGH TO SHOW I CARE.

LOVE YOU EV´RY DAY, GIRL, ALWAYS ON MY MIND.
ONE THING I CAN SAY, GIRL, LOVE YOU ALL THE TIME.
HOLD ME, LOVE ME,
HOLD ME, LOVE ME,
AIN'T GOT NOTHING BUT LOVE, GIRL,
EIGHT DAYS A WEEK,
EIGHT DAYS A WEEK,
EIGHT DAYS A WEEK.

OO -

BOO! BOO!

ã Northern Songs Ltd



KANSAS CITY/HEY, HEY, HEY, HEY
By Jerry Leiber and Mike Stoller/Richard Penniman


AH, KANSAS CITY,
GONNA GET MY BABY BACK HOME, A-YEAH, YEAH;
I'M GOIN' TO KANSAS CITY,
GONNA GET MY BABY BACK HOME, YEAH, YEAH.
WELL, IT'S A LONG, LONG TIME SINCE
MY BABY'S BEEN GONE.

AH, KANSAS CITY,
GONNA GET MY BABY ONE TIME, A-YEAH, YEAH;
I'M GOIN' TO KANSAS CITY,
GONNA GET MY BABY ONE TIME, A-YEAH, YEAH.
IT'S JUST A ONE, TWO, THREE, FOUR,
FIVE, SIX, SEVEN, EIGHT, NINE.

WHOA! OOH-HO!

YEAH, KANSAS CITY!
HO!

HEY, HEY, HEY, HEY, (hey, hey, hey, hey)
HEY, BABY, (hey, baby)
OOH, NOW GAL, (well, gal)
I SAID, YEH, NOW PAL, (well, pal)
YEAH, TELL ME, BABY,
WHAT'S BEEN WRONG WITH YOU?

HEY, HEY, HEY, HEY, (hey, hey, hey, hey)
HEY, NOW BABY, (hey, baby)
OOH, NOW GAL, (well, gal)
I SAID, YEH, NOW PAL, (well, pal)
YEAH, TELL ME, BABY,
WHAT'S BEEN WRONG WITH YOU?

                                                                                    
{sot}
WELL, I SAID BYE, (bye-bye, bye-bye, bye-bye)

{eot}
                                                                                    
{sot}
BYE-BYE, BABY, BYE-BYE, (bye-bye, bye-bye, bye-bye)

{eot}
OOH, SO LONG, (so long, so long, so long)
                                                                                    
{sot}
BYE-BYE, BABY, I'M GONE. (bye-bye, bye-bye, bye-bye)

{eot}
YEH, I SAID, BYE-BYE, BABY,
BYE, BYE, BYE, BYE,
                                                                                    
{sot}
BYE, BYE, (bye-bye, bye-bye, bye-bye)

{eot}
                                                                                    
{sot}
BYE-BYE, BABY, BYE-BYE, (bye-bye, bye-bye)

{eot}
OOH, SO LONG, (so long, so long, so long)
                                                                                    
{sot}
BYE-BYE, BABY, I'M GONE. (bye-bye, bye-bye, bye-bye)

{eot}
YEAH, I SAID BYE-BYE, LITTLE BABY,
BYE-BYE, BABY, BYE-BYE,
BYE-BYE, BYE-BYE.

ã Peter Maurice Music Co.-EMI/ATV Music




I SAW HER STANDING THERE (Take 9)
By Paul McCartney and John Lennon


ONE, TWO, THREE, FOUR!

WELL, SHE WAS JUST SEVENTEEN,
YOU KNOW WHAT I MEAN,
AND THE WAY SHE LOOKED WAS WAY BEYOND COMPARE.
HOW COULD I DANCE WITH ANOTHER, OOH,
WHEN I SAW HER STANDING THERE.

WELL, SHE LOOKED AT ME,
AND I, I COULD SEE
THAT BEFORE TOO LONG I'D FALL IN LOVE WITH HER.
SHE WOULDN'T DANCE WITH ANOTHER, OOH,
WHEN I SAW HER STANDING THERE.

WELL, MY HEART WENT BOOM,
WHEN I CROSSED THAT ROOM,
AND I HELD HER HAND IN MINE.

WOH, WE DANCED THROUGH THE NIGHT,
AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I'LL NEVER DANCE WITH ANOTHER, OOH,
WHEN I SAW HER STANDING THERE.

WHOA! OH YEAH, BABE!
WOW!
WOW!

WELL, MY HEART WENT BOOM,
WHEN I CROSSED THAT ROOM,
AND I HELD HER HAND IN MINE.

OH, WE DANCED THROUGH THE NIGHT,
AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I'LL NEVER DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE,
OH, SINCE I SAW HER STANDING THERE,
YEH, SINCE I SAW HER STANDING THERE.

ã Northern Songs Ltd.



THIS BOY (Takes 12 & 13)
By John Lennon and Paul McCartney


John: You're right! Get this bloody little mike out of the way!
Paul: Don't be nervous John.
John: I'm not!

THAT BOY TOOK MY LOVE AWAY,
THO' HE'LL REGRET IT SOME DAY,
THIS BOY WANTS YOU BACK AGAIN.

THAT BOY...

Paul: That boy!

THAT BOY TOOK MY LOVE AWAY,
HE'LL REGRET IT SOME DAY,
BUT THIS BOY WANTS YOU BACK AGAIN.

THAT BOY ISN'T GOOD FOR YOU,
THO' HE MAY WANT YOU TOO,
THIS BOY WANTS YOU BACK AGAIN.

OH, AND THIS BOY
WOULD BE HAPPY
JUST TO LOVE YOU.
                                                                                    
{sot}
BUT, OH, MY-HI-HI-HI,

{eot}
THAT BOY
WON'T BE HAPPY
                                                                                    
{sot}
TILL HE'S SEEN YOU CRY-HI-HI-HI.

{eot}

TH(A)IS BOY WOULDN'T MIND THE PAIN,
(WOULD) ALWAYS FEEL THE SAME
IF THIS BOY GETS YOU BACK AGAIN.

THIS BOY,
DAS BOY....HA HA HA!

ã Northern Songs Ltd.



CHRISTMAS TIME (IS HERE AGAIN)
By John Lennon, Paul McCartney, George Harrison and Ringo Starr

IT'S A BOUNCY REMIX. TAKE 444!

CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
AIN'T BEEN 'ROUND SINCE YOU KNOW WHEN.
CHRISTMAS TIME IS HERE AGAIN,
O-U-T SPELLS OUT!

CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
AIN'T BEEN 'ROUND SINCE YOU KNOW WHEN.
CHRISTMAS TIME IS HERE AGAIN,
O-U-T SPELLS OUT!

CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
CHRISTMAS TIME IS HERE AGAIN,
AIN'T BEEN 'ROUND SINCE YOU KNOW WHEN. (sucker!)
CHRISTMAS TIME IS HERE AGAIN,

"This is Paul McCartney here. I just want to wish you ev'rything you wish
yourself for Christmas."

"This is John Lennon saying on behalf of The Beatles have a very happy Christmas
and a good new year:"

"George Harrison speaking. I'd like to take this opportunity and wish you a very
merry Christmas
listeners ev'rywhere."

"This is Ringo Starr and I just like to say merry Christmas and a really happy
new year to all listeners."

AND CHRISTMAS TIME IS ALL,
AND YOUR BONNIE CLAY US THROUGH.
HAPPY BREASTLING TO YOU PEOPLE
ALL OUR BEST FROM ME TO YOU.